ANDRALIS ND

Andralis was designed by Ruben Fontana in tribute to the designer Juan Andralis. Its handcrafted, strong and robust appearance, maintains at the same time a friendly and human tone. It was specifically designed to perform well in long texts, also offering excellent results in headlines.

Andralis is a Trademark of BauerTypes SL



4 INDIVIDUAL STYLES

Available for DESKTOP | WEB | APP | ePub | SERVER | OEM …

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INFO

OPENTYPE FEATURES

OT__access-all-alternates   Access all alternates
OT__proportional-oldstyle   Proportional oldstyle
OT__proportional-lining   Proportional lining
OT__fractions   Fractions
OT__discretionary-alternates   Discretionary alternates
OT__standard-ligatures   Standard ligatures
OT__ordinals   Ordinals
  Stylistic set 01: roman numerals
OT__small-caps-froma-caps   Small caps from capitals

LANGUAGES

Afar, Afrikaans, Aragonese, Asu, Bemba, Bena, Catalan, Cebuano, Chiga, Corsican, Danish, Taita, German, English, Spanish, Estonian, Basque, Finnish, Filipino, Faroese, French, Friulian, Irish, Scottish Gaelic, Galician, Swiss German, Gusii, Manx, Interlingua, Indonesian, Ido, Icelandic, Italian, Lojban, Machame, Jju, Makonde, Kabuverdianu, Kalaallisut, Kalenjin, Shambala, Kurdish, Cornish, Latin, Luxembourgish, Ligurian, Luo, Luyia, Morisyen, Malagasy, Makhuwa-Meetto, Malay, Norwegian Bokmål, North Ndebele, Low German, Norwegian Nynorsk, Norwegian, South Ndebele, Northern Sotho, Nyankole, Occitan, Oromo, Portuguese, Romansh, Rundi, Rombo, Kinyarwanda, Rwa, Samburu, Sangu, Sardinian, Sena, Sango, Sidamo, Southern Sami, Shona, Somali, Albanian, Swati, Saho, Southern Sotho, Sundanese, Swedish, Swahili, Teso, Tswana, Turkish, Taroko, Tsonga, Volapük, Vunjo, Walloon, Warlpiri, Xhosa, Soga, Zulu

 

ABOUT

Andralis consists of four styles (regular, italic, bold and bold italic) with their corresponding small caps in one of them, according to the requirements of a typeface designed for book publishing. In line with this same premise, the OpenType features include both elzevirian and aligned numerals, and a specific stylistic set of Roman numerals. Discretionary ligatures that combine pairs of letters typical of the Castilian language are a characteristic emphasis of Ruben Fontana’s typeface designs. The strong and robust character displayed by the font matches Andralis’ taste for a strong gray text stain, driving the good performance and good legibility that a readable typeface demands.

Rubén Fontana was born en Buenos Aires. Typographer and founder of Fontana diseño, specialized on Corporate Identity. He was responsible for introducing typography as a subject in the Graphic Design Career at the University of Buenos Aires. His deep affection and respect for Juan Andralis is evidenced by the publication of a book in 2001 on the occasion of the great loss that the sudden death of Andralis in 1994 meant for him and other friends. In fact, Fontana specially designed a typeface to edit the book. The need to be a typeface for long texts combined very well with another premise: somehow Fontana sought a design according to the typographic preferences of Juan Andralis.