The genuine Futura, which takes up Paul Renner’s earliest sketches and brings back to life the original stylistic alternatives of the letters a, g, m and n. Another of its peculiarities are the curved ends of the j, l and t. It retains its genetic heritage, maintaining a perfect geometry, but with a fresher air than ever.

Futura is a Trademark of BauerTypes SL


Available for DESKTOP | WEB | APP | ePub | SERVER | OEM licences

About our licences



OT__access-all-alternates   Access all alternates
OT__discretionary-alternates   Discretionary ligatures
OT__standard-ligatures   Standard ligatures
  Stylistic alternates


Afar, Afrikaans, Aragonese, Asu, Bemba, Bena, Catalan, Cebuano, Chiga, Corsican, Danish, Taita, German, English, Spanish, Estonian, Basque, Finnish, Filipino, Faroese, French, Friulian, Irish, Scottish Gaelic, Galician, Swiss German, Gusii, Manx, Interlingua, Indonesian, Ido, Icelandic, Italian, Lojban, Machame, Jju, Makonde, Kabuverdianu, Kalaallisut, Kalenjin, Shambala, Kurdish, Cornish, Latin, Luxembourgish, Ligurian, Luo, Luyia, Morisyen, Malagasy, Makhuwa-Meetto, Malay, Norwegian Bokmål, North Ndebele, Low German, Norwegian Nynorsk, Norwegian, South Ndebele, Northern Sotho, Nyankole, Occitan, Oromo, Portuguese, Romansh, Rundi, Rombo, Kinyarwanda, Rwa, Samburu, Sangu, Sardinian, Sena, Sango, Sidamo, Southern Sami, Shona, Somali, Albanian, Swati, Saho, Southern Sotho, Sundanese, Swedish, Swahili, Teso, Tswana, Turkish, Taroko, Tsonga, Volapük, Vunjo, Walloon, Warlpiri, Xhosa, Soga, Zulu


The Futura ND Alternate is a geometric sans that consists of 20 individual styles, with 90 language coverage and many other OpenType features. It has access to the original stylistic alternates, discretionary and standard ligatures.  Its wide variety of styles and weights are designed true to its origins and make it especially suitable for prominent user interfaces, information displays, smart watches, e-readers, television applications, technical devices and Internet-related uses.

In 1927 the Bauersche Giesserei in Frankfurt am Main (Germany) presented for the first time 3 varieties of a new typeface, the thin, demiblack and black Futura, designed by Paul Renner, a prolific typography writer and director of the Master Craftsmen’s School for Printer’s in Munich. It soon became one of the most widely used typefaces in the world. It continues to play a key role in the corporate image and identity of the most innovative companies. The world’s leading players, designers and graphic artists love simple geometric forms and powerful lettering.